In this episodes, we discuss the recent article; On Folk Politics, or, Why the Left Can't Win, but first we go through the recent chemical attack in Syria and the election of a man named Lenin in Equador. We promise we're not tankies.
We have a guest this episode...the author of "On Folk Politics" Matt Thompson!
Yesterday, an antifascist and anarchist from The Hague received another area-ban imposed upon them, five days after the expiration of the previous area-ban for several Hague anarchists.
This time, the area-ban applies to the center of The Hague and the Haagse Hout neighborhood during the coming Pegida demonstrations, and is accompanied by the requirement to report to the police station.
Defiling a job centre is good for morale.
In the night of Tuesday 3rd to Wednesday 4th May in Toulouse, we trashed the job centre of Jolimont with a paint extinguisher.
In this context of social movement, where state repression is becoming increasing stronger, we chose to multiply the means of struggle. Because we hate work and all that they want to force upon us.
Solidarity with all fraudsters.
The well-regulated normality of social life within systems of power is not the product of a one-dimensional strategic perception that follows a determined path, but on the contrary it’s the totality of many well-thought and tested logics, tactics and practices. It’s a fact that power would not be what it is today, had it not been in a constant process of self-evolution covering previous deficiencies and weaknesses in the management of social tolerance of its followers.
This week in particular is a good example of people attempting to take lessons from around the world (especially Europe) about how anarchists should behave, and, by extension, what makes a good anarchist.
Does that work? How do you and your friends negotiate the differences of culture, police capacity, city structure, etc, that create different visions and expectations and abilities for anarchists in various places?
For the more philosophical among you, what do you think of the implicit (tacit) internationalism of blanket comparisons between scenes in different places?