Crazy Wisdom in an imaginary Fez: Knowing Peter Lamborn Wilson

From Fifth Estate, # 416, Spring 2025
by Jason Rodgers

Hakim Bey: Real and Unreal is the newest entry in a growing genre of literature, books about having met anarchist author and poet Peter Lamborn Wilson/Hakim Bey (1945-2022) and how it changed the author’s life.

Zines as Means for Change

From Fifth Estate # 416, Spring 2025

a review of War of Dreams: A Field Guide to DIY Psy-Ops by Jason Rodgers. PM Press, 2024

At the height of the zine movement in the 1990s, thousands, perhaps tens of thousands—what could be thought of as armies of people—would march off to their post office boxes every day to engage in an ongoing assault on mainstream culture using low-circulation publications as their weapons of choice.

‘Cause I See You

‘Cause I See You
Invecchiare Selvatico Reflects On
Invisible Generation: Rants, Polemics, and Critical Theory Against The Planetary Work Machine
by Jason Rodgers

It is rare in a world of posers, of fakes, of superficial trend surfers, of programed zombies, of reified rebels, of performative soldiers, of plastic identities, and such, to find someone who critically grapples with complexity and nuance and is not afraid to dip toes into the dangerous, a true free-spirit, an anarchist, or at least what that once meant before it all became so safe, so comfortable, so predictable, so non-anarchist. And when I am pleasantly surprised, usually by accident, that my paths come across one of these kindred spirits and their creative little explosions into the world, I am moved to respond. I begin to realize that I am not alone. There are others out there who are still alive, who have not been lobotomized and neutered by this displaced and dispirited post-modern techno-reality. I see you.

Leaves of Glass

from anon

The Condensed and Cutting Clarity of the Campaign to Play for Keeps

Invisible Generation: Rants, Polemics and Critical Theory Against the Planetary Work Machine. Jason Rodgers. Autonomedia. 2021.

Art is only bearable bearing witness against itself, Jason quotes me as saying in this refulgent collection of 33 essays and 27 flyers, but then her project Campaign to Play for Keeps was one of the publishers of my essay Anarchist Adventures in Wordlessland which began, “Anarchism may be beautiful in practice, but in theory it doesn’t work. It certainly doesn’t work wonders.”

One can only wonder, then, at the delight delivered by this demonstration of wor(l)d play undermining wor(l)d processing. Invisible Generation is anarchism for thinkers, not just readers and writers.

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